Yugen Kintsugi

幽玄

Functional
AVAILABLE
current pieces - numbered editions

Project I.P.

Price

130,00 €

Piece number
003
Usage
Functional
Gold
Gold tone (synthetic)
Origin
Ivana Petan
Dimensions
Ø 23 cm · H 10 cm
Lacquer
Epoxy
Named directly for its maker, Ivana Petan, whose studio gave rise to more than one piece in this collection. Several fractures gathered near the rim, mended with gold that now traces where they once broke apart.
Seam length
41 cm
Repair time
4 weeks
Lacquer coats
2 layers
Origin
Epoxy base, gold tone
Ships within 5 working days. Packed in archival tissue and a handmade paulownia wood box. Insured shipping worldwide. Returns accepted within 14 days if the piece is undamaged.
The Story

This one carries her name directly, rather than a story borrowed from the day I found it. Project I.P., for Ivana Petan, the same studio, the same generous afternoon that brought Split into my hands. Where that bowl broke in a single quiet line, this one had more to say. Several fragments, gathered near the rim, the breaks branching out the way a river does when it reaches flatter ground, looking for more than one way forward.

It is a wider piece, more open, the kind of bowl that holds the light differently depending on where you stand over it. The breaks gather mostly along one edge, close together, as though whatever happened to it happened in one place and the rest of the bowl simply absorbed the consequence.

Some pieces ask to be dressed in a story. This one only asked to carry her name forward, the way a piece sometimes becomes a quiet thank you for an afternoon neither of us expected.

The Process

一 Looking
Several fragments, gathered near the rim, were set together and studied at length. The branching breaks needed to be understood as a group before any single line could be addressed.

二 First bond
Epoxy was worked along each fracture in sequence, the fragments held steady while every bond found its place against the next.

三 Building up
With several lines meeting close together, a second pass reinforced the seams from beneath, giving each fragment time to settle fully before any decoration began.

四 Gold
A final coat carried gold toned powder into all the seams at once, the branching lines catching the light together rather than as separate marks, gathered near the rim the way they had broken.

Living With It

This bowl carries several seams gathered near one edge, more intricate than most, though no more demanding to live with. A soft cloth and mild soap are enough, with a brief wash rather than a long soak, since the epoxy beneath prefers it that way.

Keep it from direct heat and prolonged sunlight over time, as any epoxy bond would ask. Beyond that, it asks for very little, only somewhere it can catch a bit of light across its wide, flared rim, where the gold lines gather and the bowl’s whole history sits close together in one place.

This piece is repaired with epoxy resin and is intended for decorative use only. It should not be used to serve or store food or liquids.

Materials
  • Synthetic epoxy resin
  • Gold tone mica powder (synthetic, not genuine gold)
Care
  • Wipe with a soft cloth and mild soap
  • Do not soak or submerge
  • Dry immediately after washing
  • Keep away from direct heat and prolonged sunlight

This piece is repaired with epoxy resin and is intended for decorative use only. It should not be used to serve or store food or liquids.

Other pieces

Unmarked

AVAILABLE

Hachi

95,00 €

bowl

Ivana Petan

AVAILABLE

Yama

110,00 €

cup

Ivana Petan

SOLD OUT

The split

210,00 €

bowl

Butik Biskvit

AVAILABLE

Gojira

450,00 €

vase

Have a question?

Ask anything about this piece, its materials, its history, or its care, and we’ll get back to you within a couple of days.

Or contact me directly on Instagram.

Every break has a story.
Let's continue yours.

Kintsugi repair is unhurried work. Before anything begins, I need to understand your piece, what it is, how it broke, and what it means to you.

Share a few photos and details below. I’ll review your submission personally and come back to you within 3 business days with an honest assessment, a recommended finish, and a quote. Nothing moves forward until you’re ready.

Choose your piece type
Please upload up to 5 photos
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What kind of value does this piece represent to you?
What kind of finish do you prefer?
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Please upload up to 5 photos
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You make things. Sometimes they break.
Let's see what we can do together.

I’m looking for potters whose work I respect to build something longer-term with. Whether that means repairing your kiln accidents, giving new life to pieces that didn’t meet your standard but still carry your craft, receiving pieces your clients have broken, or collaborating on something neither of us has tried yet.

A glaze that ran. A rim that warped slightly. A colour that came out wrong. These are not failures, they are the fingerprints of a process. Kintsugi doesn’t just repair breaks, it reframes imperfection as part of the object’s story.

There’s no fixed model here. Tell me about your practice and what feels interesting to you. I read every submission myself and will follow up within 5 days to explore what might make sense.

What kind of partnership interests you?
Please upload up to 5 photos
↑

Drag & drop your photos here

or browse files

Up to 5 photos · JPG, JPEG, PNG, HEIC, WEBP · Max 5MB each

Every break has a story.
Let's continue yours.

Kintsugi repair is unhurried work. Before anything begins, I need to understand your piece, what it is, how it broke, and what it means to you.

Share a few photos and details below. I’ll review your submission personally and come back to you within 3 business days with an honest assessment, a recommended finish, and a quote. Nothing moves forward until you’re ready.

Choose your piece type
Please upload up to 5 photos
↑

Drag & drop your photos here

or browse files

Up to 5 photos · JPG, JPEG, PNG, HEIC, WEBP · Max 5MB each

What kind of value does this piece represent to you?
What kind of finish do you prefer?