Yugen Kintsugi

幽玄

Decorative
AVAILABLE
current pieces - numbered editions

Kaki

Price

105,00 €

Piece number
004
Usage
Decorative
Gold
Copper
Origin
Unmarked
Dimensions
Ø 20 cm · H 6 cm
Lacquer
Epoxy
No story attached to its origin, only the persimmon that once sat on its surface, the color that gave it its name. Three fragments, meeting at a single point, mended quietly back into one.
Seam length
33 cm
Repair time
3 weeks
Lacquer coats
2 layers
Origin
Epoxy base, copper tone
Ships within 5 working days. Packed in archival tissue and a handmade paulownia wood box. Insured shipping worldwide. Returns accepted within 14 days if the piece is undamaged.
The Story

Not every piece arrives with a name attached to where it came from. This one came without a mark, without a maker I could point to with any certainty, just a plate that found its way into my hands the way some things do, sideways, unaccompanied by the usual paperwork of memory.

What it offered instead was the break itself, three lines meeting at a single point near the rim, branching out across the surface like something caught mid decision about which direction to take. There is a kind of plate that breaks in one clean stroke and asks for nothing more than patience. This was not that. Three fragments, three angles, a small negotiation at the center of where they all needed to agree.

I named it Kaki, for the persimmon that sat on it the day I first looked at it properly, that particular orange against the pale, speckled glaze, the kind of color that makes you notice a plate you might otherwise have walked past.

The Process

一 Looking
Three fragments, meeting at a single point, were set together and studied before any decision was made. The angles needed to agree with each other before anything could be fixed in place.

二 First bond
Epoxy was worked along each of the three lines in turn, the fragments held steady while the bond settled into the places where they had once simply been one piece, undivided.

三 Copper
Once cured, copper toned powder was drawn into all three seams, meeting at their shared center the way the cracks themselves had, a small constellation across the plate’s surface.

Living With It

This plate carries three seams meeting at a single point, more intricate to look at than to live with. A soft cloth and mild soap are enough, with a brief wash rather than a long soak, since the epoxy beneath prefers it that way.

Keep it from direct heat and prolonged sunlight, as any epoxy bond would ask. Otherwise, it asks for very little. Let something sit on it now and then, the way the persimmon once did, and let the three lines remind you that even an unmarked piece, with no story behind it, can still arrive somewhere worth keeping.

This piece is repaired with epoxy resin and is intended for decorative use only. It should not be used to serve or store food or liquids.

Materials
  • Synthetic epoxy resin
  • Copper tone mica powder (synthetic, not genuine copper)
Care
  • Wipe with a soft cloth and mild soap
  • Do not soak or submerge
  • Dry immediately after washing
  • Keep away from direct heat and prolonged sunlight

This piece is repaired with epoxy resin and is intended for decorative use only. It should not be used to serve or store food or liquids.

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Have a question?

Ask anything about this piece, its materials, its history, or its care, and we’ll get back to you within a couple of days.

Or contact me directly on Instagram.

Every break has a story.
Let's continue yours.

Kintsugi repair is unhurried work. Before anything begins, I need to understand your piece, what it is, how it broke, and what it means to you.

Share a few photos and details below. I’ll review your submission personally and come back to you within 3 business days with an honest assessment, a recommended finish, and a quote. Nothing moves forward until you’re ready.

Choose your piece type
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Please upload up to 5 photos
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You make things. Sometimes they break.
Let's see what we can do together.

I’m looking for potters whose work I respect to build something longer-term with. Whether that means repairing your kiln accidents, giving new life to pieces that didn’t meet your standard but still carry your craft, receiving pieces your clients have broken, or collaborating on something neither of us has tried yet.

A glaze that ran. A rim that warped slightly. A colour that came out wrong. These are not failures, they are the fingerprints of a process. Kintsugi doesn’t just repair breaks, it reframes imperfection as part of the object’s story.

There’s no fixed model here. Tell me about your practice and what feels interesting to you. I read every submission myself and will follow up within 5 days to explore what might make sense.

What kind of partnership interests you?
Please upload up to 5 photos
↑

Drag & drop your photos here

or browse files

Up to 5 photos · JPG, JPEG, PNG, HEIC, WEBP · Max 5MB each

Every break has a story.
Let's continue yours.

Kintsugi repair is unhurried work. Before anything begins, I need to understand your piece, what it is, how it broke, and what it means to you.

Share a few photos and details below. I’ll review your submission personally and come back to you within 3 business days with an honest assessment, a recommended finish, and a quote. Nothing moves forward until you’re ready.

Choose your piece type
Please upload up to 5 photos
↑

Drag & drop your photos here

or browse files

Up to 5 photos · JPG, JPEG, PNG, HEIC, WEBP · Max 5MB each

What kind of value does this piece represent to you?
What kind of finish do you prefer?