Yugen Kintsugi

幽玄

Decorative
SOLD OUT
current pieces - numbered editions

The split

This great piece is part of a collection by Ivana Petan.
Price

210,00 €

Piece number
001
Usage
Decorative
Gold
Copper tone
Origin
Ivana Petan
Dimensions
Ø 22 cm · H 7 cm
Lacquer
Epoxy

A single clean line, born from an afternoon in a Slovenian studio, coffee, conversation, and a bowl that came home almost as an afterthought. The seam that mends it is also where two people happened to meet.

Seam length
22 cm
Repair time
2 weeks
Lacquer coats
2 layers
Origin
Epoxy, copper tone

Out of stock

Ships within 5 working days. Packed in archival tissue and a handmade paulownia wood box. Insured shipping worldwide. Returns accepted within 14 days if the piece is undamaged.
The Story

It began with a question sent into a small, generous corner of the world, people who work with clay tend to answer each other kindly, and one of them offered more than I had asked for. Not just a piece, but a door, and an afternoon.

Ivana made coffee, and we talked longer than either of us probably expected to. She is the kind of person who notices the world the way you notice something you genuinely love, unhurried, curious, easy to sit with. An afternoon meant to be about pottery turned into something closer to the beginning of a friendship, the sort that arrives sideways, while you are looking at something else entirely.

Bowl’s break, when it came, asked for very little, one clean line across the interior, nothing dramatic, nothing that needed explaining. I called it The Split, for the line itself, though there is something quietly fitting in the name now. A split is usually where something comes apart. Here, it is closer to where something came together, a crack in a bowl, and somewhere alongside it, the start of knowing someone.

The Process

一 Looking
The fragments were set together and studied before anything else happened. A single line, clean and unhurried, asked for nothing complicated, only attention.

二 First bond
Epoxy was drawn carefully along the break, following the bowl’s own curve rather than fighting it. The pieces held their position while the bond settled into something certain.

三 Copper
Once the bond had cured, copper toned powder was worked into the seam, catching the light differently depending on where the bowl is turned, a small line that follows the whole circumference of how it once came apart.

Living With It

This bowl carries a single seam, simple and easy to live with. It can be wiped clean with a soft cloth and mild soap, though prolonged soaking should be avoided, the epoxy underneath prefers a brief wash to a long one.

Keep it away from direct heat and strong sunlight over time, as any epoxy bond would ask. Beyond that, it asks for very little. Let it hold what it was made to hold, and let the copper line remind you, quietly, that it once came apart and was brought back together by someone who cared enough to notice.

This piece is repaired with epoxy resin and is intended for decorative use only. It should not be used to serve or store food or liquids.

Materials
  • Synthetic epoxy resin
  • Copper tone mica powder (synthetic, not genuine copper)
Care
  • Wipe with a soft cloth and mild soap
  • Do not soak or submerge
  • Dry immediately after washing
  • Keep away from direct heat and prolonged sunlight

This piece is repaired with epoxy resin and is intended for decorative use only. It should not be used to serve or store food or liquids.

Other pieces

Ivana Petan

AVAILABLE

Project I.P.

130,00 €

bowl

Unmarked

AVAILABLE

Kaki

105,00 €

plate

Butik Biskvit

AVAILABLE

Gojira

450,00 €

vase

Ivana Petan

AVAILABLE

Yama

110,00 €

cup

Have a question?

Ask anything about this piece, its materials, its history, or its care, and we’ll get back to you within a couple of days.

Or contact me directly on Instagram.

Every break has a story.
Let's continue yours.

Kintsugi repair is unhurried work. Before anything begins, I need to understand your piece, what it is, how it broke, and what it means to you.

Share a few photos and details below. I’ll review your submission personally and come back to you within 3 business days with an honest assessment, a recommended finish, and a quote. Nothing moves forward until you’re ready.

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What kind of value does this piece represent to you?
What kind of finish do you prefer?
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Please upload up to 5 photos
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You make things. Sometimes they break.
Let's see what we can do together.

I’m looking for potters whose work I respect to build something longer-term with. Whether that means repairing your kiln accidents, giving new life to pieces that didn’t meet your standard but still carry your craft, receiving pieces your clients have broken, or collaborating on something neither of us has tried yet.

A glaze that ran. A rim that warped slightly. A colour that came out wrong. These are not failures, they are the fingerprints of a process. Kintsugi doesn’t just repair breaks, it reframes imperfection as part of the object’s story.

There’s no fixed model here. Tell me about your practice and what feels interesting to you. I read every submission myself and will follow up within 5 days to explore what might make sense.

What kind of partnership interests you?
Please upload up to 5 photos
↑

Drag & drop your photos here

or browse files

Up to 5 photos · JPG, JPEG, PNG, HEIC, WEBP · Max 5MB each

Every break has a story.
Let's continue yours.

Kintsugi repair is unhurried work. Before anything begins, I need to understand your piece, what it is, how it broke, and what it means to you.

Share a few photos and details below. I’ll review your submission personally and come back to you within 3 business days with an honest assessment, a recommended finish, and a quote. Nothing moves forward until you’re ready.

Choose your piece type
Please upload up to 5 photos
↑

Drag & drop your photos here

or browse files

Up to 5 photos · JPG, JPEG, PNG, HEIC, WEBP · Max 5MB each

What kind of value does this piece represent to you?
What kind of finish do you prefer?